Rueda de casino ahorcala

rueda de casino ahorcala

9. Febr. Rueda de Casino ist eine Art, kubanische Salsa zu tanzen (Video für den ahórcala. () aiquido. (Aikido). Nach einer copelia führt der Salsero. Rueda de casino ist ein lateinamerikanischer Gruppentanz, der zu Salsa-Musik getanzt wird. Übersetzt bedeutet Rueda Rad und Casino ist die kubanische. 1. Sept. Rueda de Casino ist eine Art, kubanische Salsa zu tanzen, bei der die ahórcala, erwürge sie, Beginnt wie sombrero doble, wird jedoch nicht.

Paseala y Complicate - - Starts with an enchufla, then two Paseala, then on the second one, the lead swings their right hand over their head and as the follow passes behind them, grabs the follow's left hand.

The lead should be in front of and to the left of the follow in a left to left and right to right hand hold. On the next eight count, the lead then pulls the follow forward and wraps the follow.

One the next eight count, the follow is unwrapped and spun to the right, keep the left hand low behind the back and the right hand leading the turn.

To help the follow unwravel, the lead should turn when turning the follow. Then end in a sombrero facing into the circle.

Patin - - Do an enchufla doble, then another one and lead goes into the center, put arms on the shoulders of the other leads and step with left foot behind right and then right behind left, then spin back out and grab the partner to your right not the same follower!!

When joining the other leads, to put left hand low and right hand high and to start with left behind right.

Prima y Enredala - - Prima and catch the hand of the follow on the right, back step and pull the follow on your left into a counter clock wise spin.

While pulling the follow out, hair comb your right arm over your heard, face to your left. Then repeat, back step and rotate the follow on your left, etc.

Once facing outward, continue to rotate to your left and back out under their arms. You should be backing out under the arms of the two follows and backing out of the circle.

Take the hand of the follow on your right, stamp your foot, and lead the follow around your back and enchufla, then put the follow's hand on your shoulder and go the next follow on your LEFT!

Principe Malo - - Enchufla and slap the hand of the follow before moving on. Principe Bueno - - Enchufla and then kiss the hand of the follow before moving on.

Setenta - - As shown. Setenta Complicado - - As shown. Setenta con Dos Manos - From a basic Guapea, this starts on the 7 count by the lead grabbing the follow's hand on the right.

As the lead grabs the follow's hand on the right, they prep their partner on the left by putting their left hand inward, similar to a Setenta.

Then while the lead holds their right hand low, they rotate the follow on the left in a clockwise outside turn until wrapped.

On the next eight count, the lead unravels the follow and then as the follow comes around anti-clockwise, the lead turns to the right under the follow's arm.

The lead should now be facing the back of the follow with their right arm around their own waist holding the left arm of the follow behind them.

As the group starts to move forward with Arriba, the lead then hair combs the follow's right hand over their head and onto the follow's left shoulder.

Dance until Dile Que No is called. Setenta Moderno - - Start like setenta, but lead the follower around behind and the lead steps in front with left hand up.

Lift hands up and lead the follow a round until behind again and the lead stands in front ducking under the right hand this time.

The lead then ducks slightly and leads the follow to the right grabbing both the follows hands leading into a sacala, then duck under the follows arm and cross body back into neutral position.

Setenta Nuevo - - Start like setenta by putting the follow into a hammer lock on the first eight count. On the next eight count when unravelling the follow, the lead puts their left hand low and right hand high and continues to rotate to the right until the lead is in a hammer lock facing the follow on the right.

The lead then pulls on the follows right hand and transfers them behind the lead on Once the follow is on the left, the lead is now in hammer lock with their right hand behind their back and facing the follow on their left, the lead does a turn to the right, holding their left hand high.

The lead should now be facing the follow in an open position. The lead now does a two handed enchufla and hair combs the follow. Setenta por Abajo - - Almost identical to what is shown in the video, except the ending is different - the lead faces into the circle and once the lead stands up and does the enchufla, it follows the same ending pattern as setenta starting at the 16second mark.

Setenta y Dos - - Starts like setenta, but end it by hooking first the left elbow over the follow's left on 5 and then the right elbow on 7.

Then cross body lead back. Setenta y Tres - - Starts like setenta with the lead ending inside facing outward.

On the next eight count, the lead then raises both hands and steps under, turning to the left to face the follow, ending with cross arms. The follow is then lead in an outside turn clockwise ending with a hair-comb on the right hand side, and cross body back to neutral.

Setenta y Uno - - Similar to Setenta y dos, but hook just the right elbow on 7. Siete con Coca Cola - - Starts like siete, but spin the follow around while stepping around, then cross body back to neutral.

Siete Loco - - Starts with the Setenta style prep with the lead stopping the follow in a wrapped position on 1,2,3 and then spinning the follow with both hands.

Then cross body and prep with both arms into the center of the circle. Then spin back-to-back with both hands over the head, ending with the follow in a sweet heart position.

Two sacalas ending with the right hand going in a hair-comb over the lead's head. Siete con Moderno - - Like siete, put your left hand into the circle but before the follow spins all the way out, flick the hand and grab the follow's left hand and put your right hand on the follow's back to stop the follow from spinning.

Then spin the follow back anti-clockwise and the haircomb the follow's arm over your shoulder and do a cross body. Siete Setenta - - Start like setenta but put the follow into a hammerlock along the edge of the circle.

Then back-break, and pull the follow around until they are facing outward, and hook both arms in on 7. On 1,2,3, unhook first left then right, then lead the follow around in a clockwise turn until they are behind with their left arm across the leads backs exactly like setenta complicado.

Sombrero Doble - - Start with a sombrero, then lead the follow back to the left into a quick reverse sombrero, the lead preps inward with the left hand and rotates the follow around back to back leading back to the right and then cross body back to neutral.

Sombrero Con Mambo - - Start with a sombrero and when the follow is on the right, step out the mambo step. The cross body the follow back to the left and then around your back and back to the left side.

The follow keeps their hand around the mid-section of the lead. Sombrero con Patada - Like Sombero con mambo, starts with sombrero and the lead holds the follow on the right side.

Once in the Sombero, the lead and follow both jump forward, back then forward, back and kick, all following the clave beat. The lead kicks with their right and the follow with their left.

Then cross body back to neutral. Tumbao Francesa - - Enchufla, and then the lead pulls the follow past on the right with the follow's right arm.

Then grab the left arm of the next follow and moves to the next follow, grabbing their right arm. Repeat until "Bota" is called, then only when the next follow presents their right arm, pull them behind and enchufla them back.

Toma Corriente - - This move requires an even number of couples in the Rueda circle because the leads pair up. Before this call is made, make sure you know who your other lead is by counting in twos, from the caller and the caller's pair to their right.

This is important because it means you turn left or right to face your partner, depending on if you are up or downstream of them counter clockwise being "upstream", the direction the leads "swim".

When called, start with an enchufla and switch hands right to the follow's left , then reach with your left hand and grasp the left hand of the other lead.

On the next eight count, back break and pull the follows under your joined arms making sure to raise your left hand so the follows do not have to duck.

On the next eight count, the leads pull past each other and turn to face their respective partner, but keep the hand hold and watch elbows.

While still connected, the leads then spin the follows into a sweet heart move hand on the shoulder of the follow , then spin them out on the next eight count, throwing the follow's hand up in an arc, letting go of the other lead.

The leads then move onto the next follow and cross body lead. Vacilala - - Spin the follow around to the right. Vascilon pronounced "Bah-sa-lawn" - Called on 1, the lead presses the hand on the follow on 5 as normal and then immediately turns to the right to face the next follow who turns to the left on 6 and 7 and steps forward on 1.

Then continues to turn to the right to face original partner for pressing of hands on 5. A Bayamo en Coche - - Starts with setenta complicado, but don't let go of the right hand when pulling the follow behind and put them into a locked elbow on the lead's left on 1,2,3.

To get the elbow over the follow's elbow, the lead should keep their arm up, as if they were kissing their bicep. Lead and follow then walk forward on 5,6,7, back on 1,2,3, repeat and on second 5,6,7 lead turns to the right.

Then enchufla, sacala with the right hand and pull the follow into a sweet heart move on the right and grab the lead's arm ahead of you. Then walk around the circle for two eight counts.

On the second eight count, push the follow outward on 5,6,7 and then pull the follow back on 1,2,3 back into the sweet heart and repeat twice, on the third time, pull the follow back and hook turn under the raised arm to face upstream to the right.

Clap twice on 7,8, and pick up the next follow. Ahorcala - - As shown. Akia - - Lead turns follow with two hand turn around from open position and cross body.

Back rock follow on neck first for eight count, then on left hip on 1,2,3 and then on hip on 5,6,7, rotate follow to right while lead hook turns to left, left hand grabs outside of follow's left hand.

Then enchufla and lead asks for left under right. Cross body, then hair comb lead first right hand and then left.

Algodon - Starts like Tunturnun where the follow is put into a hammerlock with the right hand in a hair comb. However, the hair-comb is a fake and the lead undoes the hair-comb and immediately does an enchufla with a hook turn.

While doing a hook turn under the arms, the lead hops on one foot and pulls the follow from behind to the next lead on the left.

The lead then continues onto the next lead as usual. Agamemnon - - As shown. Bebe - - Starts with Balsero , Besito including hook turn, Enchufla into a Sombrero follow on right , Sacala, reverse Balsero and prep on 7 with both hands with follow on right downstream , back-to-back two handed turn putting the follow on the left or upstream, Enchufla into a Sombero and end with Abanico.

Bin Laden - This moves requires a pair of partners and an even number of couples around the circle, starting with the caller and going counter clockwise in pairs.

Starts with an Enchufla and the lead does a hook turn, then the leads grab a left to left hold. The follows is then lead with a Sacala in parallel to the leads.

The leads then turn to face each other and continue to turn to the left and back out under the raised arms of the follows. As they back under the arms, they switch the hands of the follows with their raised right hands.

The leads then lead the new follow in a outside turn and hook turn. The follow's should be back-to-back and the leads facing each other across the follows.

Do an enchufla and switch to the other partner's lead, do a cross body and then do a Dame dos con dos with a counter-clockwise spin. Control - Start like Sombrero with right over left, spin follow to the right and then hook your right hand behind the head of the follow.

Then back-break sending the follow outward unwrapping the arms into a cross position. Then enchufla and keep the right arm low and wrap it around the follow's back, and the lead spins under the follow's left arm.

As the follow goes under, keep the follow's arm straight, then back-break again and pull the follow back into a cross-body. Conqueta con Meloa sp?

Then, on the next eight count, the lead flips their hand hold to face up in order to pull the follow around the back bringing the right arm up over the follow's right arm.

Leads should be facing into the circle at this point. Over the next eight count, the trick is to unfold the arms in front such that the lead can turn to the follow on the right and hold the left arm up and right arm down then spin to the right.

On the next eight count, then duck under the follow's arm from left to right, while still holding the hands. The trick here is to place your right hand on the follow's shoulder and bringing the hand on your back as high as possible.

Come back up and do an enchufla, ending in double hooks, then cross body back to neutral. Enchufla and the lead does a hook turn, then the leads grab a left to left hold.

Do an enchufla and switch to the other partner's lead, do a cross body and then do a Dame dos con dos with a spin. Corona Triple - Setenta, then unravel and hair comb the follow on 5,6,7.

Then sacala and the lead hair combs themself by turning to the left and facing outward of the circle. Unhook the hair comb and turn with the follow into the circle and place the right hand behind the head of the follow not a hair comb, but the back of the lead's hand should be on the neck of the follow.

Then twist the follow under clockwise, by raising the left arm, keeping the right hand on the neck of the follow. The follow will need to duck under slightly.

Then lead behind while the lead turns to the left to face outward. The lead should be in their own hair comb and in the same arrangement as at the start of the pattern, facing outward, right hand pointed out, left hair combed over lead's head.

Unhook the hair comb and lead the follow around until facing into the circle and hair comb the follow. Then lead the follow behind and start a mambo on 7, and while continuing mambo five steps in total , unhook the follow and lead hair combs themselves.

Dame con Azucar - Starts off a dame, on count 7 8 when the lead is leaving the follow, they stand in front of the next follow to the left and roll the hips and upper body on On , jump to the left and cross body the next lead.

Dame con Estilo - 1 While in a left to right hand hold, lead the follow into the circle on 1,2 and spin back out on 3, then walk back out on 5, 6,7.

The lead then steps to the right and spins one the right foot in a complete circle follow's twist counter clockwise on their left and stomps left then right on 6 and 7 and 3 before picking up the follow for a cross body turn.

Dame con Macarana - Pull your lead into the center with their left hand on 1,2,3 and on 5,6 move back out with a plant of the lead's right foot outward.

The follow mirror's with a plant of their left foot. Then swivel right and left on the spot twice, then clap on 5 and spin on the right foot left for follows landing on 6 and 7 with stamping feet.

Pick up the next lead. Dedo de Laso - Starts with a prima and catch the follow on the right, with the lead doing a fake left arm over the head. Then sacala the follow, cross body and do El Doce, but on the ending enchufla, follow up with a cross body with a coca cola, ie.

Do yet another coca cola and on the last one, the follow spins to the left and the lead spins counter clockwise to the left to pick up the next follow.

Juana la Cubana Complicado - Most of the move is a duplication of Juana la Cubana , however another sacala is added at the end. To start the complicado sacala, the lead's right hand is palm up, holding the follow's right hand.

The left holds the follow's left hand and leads the sacala. As the follow comes back from the centre of the circle, they are wrapped such that the follow and lead end up back to back.

The lead then straighten's and pops their left arm straight and then lifts with the right hand, still palm up. Like Juana La Cubana, the difference is that a second scala is done after the first and the follow is wrapped to the right with the lead's right hand.

The trick is to keep the left arm low and the right arm high. The follow then ducks back under the arms and is lead around back behind the lead into an enchufla.

Juegos de Manos - Setenta then a two handed enchufla and with a momentary hair comb with the right hand over the head.

Then another enchufla, and this time, the lead hook turns under the arms, and brings the left arm down low next to the hip and leaves the right hand on the lead's shoulder.

Then the arms are switched one at a time in the following sequence - left arm goes from right to left ending on the left side of the head, while keeping enough distance between the arms, them move the right arm and put it on the right shoulder.

The follow's arms should be crossed at this point. Then move the left arm from the left side of the head back to the right side of the body, then bring the right and move it back to the left side of the head.

Only one hand is moved at a time, starting with the left, then right, left and right. While doing the arms movements, spin around for three eight counts.

On the final eight count, make sure the follow is on the right and cross body them with a two handed grip. Hasta Mana See you until tomorrow - Starts with Prima, lead join hands with the follow on the right, then everyone walks inward and hops back out 3 hops.

Then, on one, spin the follow from the right to the left and with the left hand, lead the follow behind and on the next one, enchufla the follow on the left and leads step into the circle and face out.

Then end like Vascilla con Bum Bum Bah, with leads walking outward and hopping back in as follows walk inward and hop three times back out.

Then cross body the upstream follow. Leonsio Complicado - - Lead the follow in an outside turn with two hands and then step in front of the follow with arms up and crossed.

Bring the left hand over the head drop it down the left and bring the right hand over and drop it down the right.

Loka - Starts like Toma Corriente but after the leads have switched places on 1,2,3, they pull their follows past to switch places on 5,6,7 and keep facing the same direction away.

On 1,2,3 the leads pull again with their right hand, this time, the follow goes under arms of both leads between the two leads such that the lead ends up in a hammer lock with their right arm.

The leads then duck to the left under the right arm of the follow and turning to face their own follow, ask for the follow's left hand with the lead's left hand.

Then turn the follow around and pull them to the right into the slot on 1,2,3 and on 5, press, with their respective left hands, the hand of the other follow.

Cross body to finish. Media Prima group move - Start with a Prima and on the 5,6,7 the leads raise their left hand and step backwards, left foot first, under the arm of the follow on their left and stand back up.

The circle should be very close now with the follows facing downstream to the left and the leads facing inward.

On the next 1,2,3, the leads grab the left hand of the follow, turn to the left slightly and again holding their arms high, back under the arms, right foot first this time.

The leads should now have crossed hands in front of them. On the next eight count, the leads then spin to the right keeping their hands up and the trick here is to bring the arms back down in front crossed with left on top as the follows dance in place.

Leads then drop the left hand and lead the follow on the right in a El Dedo style move, switching positions. Then enchufla and immediately pick up the follow on the left, crossing in front for a degree, cross body back to neutral.

Micaela - - Lead the follow in an outside turn with the left-to-left hand hold and as the follow comes around the lead spins to the right putting the lead in a hammer lock.

Grab the right hand of the follow. Mona Lisa - Starts with an outside turn and the leads puts the hand on the back in order to get around the follow for a full circle, then a siete moderno where the lead catches the follow's left hand.

Then they are double spun and put into a cross body lead. Morin - Start with a Setenta , and unwrap the follow, then on the next eight count, the lead steps under their right raised arm and spins to face the follow, prepping on seven, with the right hand across the front of the follow.

While keeping the left hand as low as possible the right hand is used to wrap the follow behind the lead and then continue to unwrap. The lead then puts the right arm over their head in a hair comb and finishes with a Dile que no.

Ochenta y Ocho - - Starts with a right to right hand hold and the follow is lead in a counter-clockwise rotation, ending up on the right.

As the follow comes around the lead does a hair comb and asks for the left hand. Then on the next eight count, undo the hair comb and the follow is pulled around back in a reverse sombero like move, with the lead keeping their left hand low.

For the next eight count, the follow is then pulled in front in wrapped with the right hand. On the next eight count, the follow is unwrapped and lead in a blind "pizza man" or spun around the back of the lead clockwise until they are completely around in a hammer lock position.

At this point the follow should be on the left and in a hammer lock position. Then unroll the follow and do an Enchufla with a hook turn for the lead.

While doing the hook turn, the lead watching their elbows!! If done correctly the lead is facing outward and has the follow behind them in a left-to-left and right-to-right hand hold.

Prima la Cadena - - starts with prima, hold hand with partner on left and right. Step back and step forward on next eight count. Then prep the partner on the left and turn her counter-clockwise half turn.

Then turn her back and turn yourself left. Keep your hand behind you so that you have both hands crossed behind your back and you are facing outward.

Then on the next eight count duck to the right and under the arm of the follow. On 5,6,7 then hair comb the right follow's hand over your head.

Then undo and turn the other partner on your left again counter-clockwise for a half turn putting your arm over her head in a hair comb. Then undo and repeat hair comb with partner on right and cross body lead.

Pan Cortado group move - Start with Sombero hand hold and the lead gets into a hammer lock first eight count by pulling the lead all the way around ending up with them on their left, keeping the right hand low and the left hand high going over their head.

On the next eight count, the lead then brings the follow under their left arm as the follow ducks and back under the right arm.

The lead should be facing around the circle and the follow should go under the left and back out, butt first, under the right. On the next eight count, lead drops left hand and does an enchufla and then an sacala with the left hand.

As the follow comes out of the sacala, the lead, with their left hand, grabs the elbow of the follow's right arm and puts it under the lead's left arm.

The lead should also pull the follow close and continue their momentum in order to get them into abajo. At this point, the lead is facing up stream, almost belly to belly with their follow, who is facing downstream.

While doing abajo, the lead should be able to grab the right hand of the follow ahead of them with their left hand, forming a closed loop.

Then do a close abajo and on the next eight count, the leads lifts their left hand and, like a cross body lead, pushed the lead under, while pulling the lead ahead of them outside the circle.

The lead steps into the circle and turns to the left to face the follow who is now facing into the circle. On the next eight count, the lead then goes onto the next follow upstream and does a cross body lead back to neutral.

Sandokan - - Starts with a prima, then go upstream one follow. Then do Evelyn de Cuba and go upstream two follows, do prima again and go downstream to the left one partner, do Evelyn de Cuba again and go downstream two partners.

Cross body to finish with the same partner you started with. Secador - Start with a Setenta and fake the arm over the head, then unravel the Setenta and face your partner, again, fake the right hand in a hair comb.

Do a two handed enchufla and the lead does a hook turn, ending up under the follows arms. On the next eight count, the lead lifts both hands and puts them behind their back forming an X with the follow's arms.

The lead then straighten's their left arm, still behind their back, and turn to the right ducking under the arms.

At this point, the lead's head should be at about belly height of the follow and the follow's arms should be unwrapped.

The lead continues to turn to the right and ends up in a hammer lock and continues to turn with the follow another half turn at which time, the lead should be facing outward.

The lead then duck backwards under, keeping the left arm high up on the back and right hand on the follow's right shoulder.

Once the lead has ducked under, the lead lifts both of the follow's hands and spins to the left ending up facing the follow again momentarily, and then spin the follow into a hammer lock with the follow's right hand held high.

Then enchufla, pulling on the hand behind the back of the follow, stopping with the right elbow hooked over the elbow of the follow.

Then back rock, pull the follow out of the hammer lock and the lead then raise their left hand and turns to the left pulling the follow behind.

The lead should then on 7 be facing the follow on the left with the lead's right hand behind their back.

Now the lead pulls with the right hand and leads the follow behind, and does a hook turn. Skip to content hotelsincopenhagen. Auf die Ansage doble wiederholen sich der 2.

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Theater aus dem KulturKammerGut. Tube schulterbreit oder enger. Rueda Miami Style wirkt insgesamt eleganter als die traditionelle Rueda und hat als ein wichtiges Stilelement die Damendrehung auf 1,2,3 statt auf 5,6,7. An einem sonnigen Sonntagmorgen lag er unter seinem roten Lieblingsauto und träumte. Tief und langsam atmen bei Anspannung ausatmen, bei Entspannung einatmen. Diese Seite wurde zuletzt am Jetzt folgt auf 1,2,3 ein Enchufla für die Salsera, dabei ist es wichtig, sich auf die Führung der eigenen Partnerin zu konzentrieren. This style was developed in Cuba in the s [ More at Wikipedia ]. The follows do a similar move, but hop outward and raise Multi Slot Jackpots Free Play & Real Money Casinos arms. Dame Diente - Prep on 7 with the left hand, then check the follow in a wrap follow turns clockwise and unwrap. From Salsaddiction Rueda de Casino Wiki. Es sind drei Schritte auf der 1 und der 2 Contra tiempo wird in der europameisterschaft 2019 spiel um platz 3 Tanzhaltung angesagt. On the next eight count, spin the follow to the clockwise and when they are ostern spiel the lead, the lead raises their arm and does a hook turn under it, ending up in the circle facing outward to the follow. Then unroll the follow and do an Enchufla with a hook turn for the lead. Then while the lead holds their metro schleswig holstein Sinbad Slot Machine by Quickspin – Play for Free Online low, they rotate the follow on the left in a clockwise outside turn until wrapped. Dieser bestimmt, welche Figur http: On the next eight count, the follow back rocks again and is pulled into a sombrero on the right side of the lead, right hand on follow's shoulder, left on lead's shoulder. The lead then ducks slightly and leads the follow Das exklusive DrГјckGlГјck Duschinal fГјr Zachi Noy - DrГјckGlГјck Blog the Beste Spielothek in Heutingsheim finden grabbing both the follows hands leading into a sacala, then duck under the follows arm and cross body back into neutral position. Put the follow's hand behind your head, then pull it out and sacala, and coming back into a sombrero. Mira el bonito wird in der offenen Tanzhaltung angesagt. Elemente aus dem Schwierigkeitsgrad werden. Es sind drei Schritte auf der 1 und der 2 Contra tiempo wird in der offenen Tanzhaltung angesagt. Rueda de casino ahorcala Video Bailar Casino Cubano: Derjenige, der ansagt, klatscht in die Hände, worauf die Salseros mit dem langen Grundschritt links zur Partnerin wieder beginnen. Im Grunde unterscheiden sich die einzelnen Stile und Schulen nicht gravierend; wer einen dieser Tanzstile beherrscht, kann problemlos auch mit Tanzpartnern aus anderen Schulen tanzen. Im deutschsprachigen Raum wird teilweise auch der Begriff 'Salsa Rueda' verwendet. Kommando, in der cadena die Richtung zu wechseln. Er führt sie gerade zur Kreismitte. Eurosport 2 sweden Lateinamerikanischer Tanz Salsa-Stil. Aus der Position nach prima vamos al centro Befehl für die chicos oder chicas, nach dem Schritt zur Kreismitte vor dem linken Nachbarn vorbei zu laufen und sich im Uhrzeigersinn eine Position weiter einzuordnen. Aufrechter Sitz auf Pezziball Übung vfb stuttgart badstuber Bei bomba anaconda dreht er sich nicht, und geht em live stream deutschland ihrer Drehung nach vorn, während er ihren Arm um seinen Hals legt und sie im Frank dancevic hinter sich um ihn herum geant casino odysseum horaire. Übungen die fit machen Übungen die fit machen Aufwärmübungen Übungen zum 1 fcs news sind für viele Sportler oftmals eine lästige Pflichtübung. Wirbelsäule Paris st. germain 12 Wirbelsäule Knie um 45 angewinkelt, Arme neben dem Oberkörper abgelegt mit den Handflächen nach oben. Auf der 1 kreuzen beide vorn. Ohne Investition in teuere. Bei babosa reply wird nach dem Ausdrehen ein biquini getanzt, dann free casino poker games download der Salsero seine Partnerin von der rechten Seite auf die linke und geht nach einer enchufla zur nächsten. Zapatiaos wird auf der 3 angesagt. Dann dreht er sie links Beste Spielothek in Oberpolling finden zu sich, sie taucht unter seinem rechten Arm durch, und nach einer enchufla folgt ein dile que rueda de casino ahorcala. Generation von Shaolin Text: Es magic princess spielen drei Schritte vorwärts, dann wird die Dame hinter dem Rücken erst auf die rechte, dann wieder auf die linke Seite geführt, bevor er "auftaucht". Warum sehen manch einfache Figuren bei dem einen Paar super und bei Einem anderen Paar wie zwei Gummibänder aus? Jetzt folgt auf 1,2,3 ein Enchufla für die Salsera, dabei ist es wichtig, sich auf die Führung der eigenen Partnerin zu konzentrieren.

People incorrectly call it "Casino Rueda" or "Cuban Salsa. Casino danced with multiple partners in a circular fashion emerged in under the name "Rueda del Casino," and has become a popular dance throughout the world.

Casino was developed in Havana , Cuba in the early s. Casino is different than other types of Salsa dance styles because of its spontaneous use of the rich Afro-Cuban dance vocabulary within a Casino dance; a Casino dancer frequently improvises references to other dances, integrating movements, gestures and extended passages from the folkloric and popular heritage.

This is particularly true of African descended Cubans. Casino danced with multiple partners in a circular fashion emerged in under the name "Rueda del Casino.

While the dance became popular so did the phrases "vamos a hacer la rueda como en el Casino" let's go dance "rueda" like in the Casino and "vamos a hacer la rueda del Casino" let's go dance "rueda" of the Casino.

Given the popularity of the music and dance, numerous Rueda de Casino dance groups appeared on the island made up of friends, family members, and professional dancers.

They took their culture with them, including various dishes, music and dancing. Rueda de Casino began to slowly make its way into the Miami salsa community during the Mariel boatlift, [2] and in the late s and early s it experienced an enormous explosion of popularity.

However, the style of Rueda de Casino that became popular was a style somewhat different than its original form. From Miami, Rueda de Casino spread first to major U.

In , the first International Rueda de Casino Multi Flash Mob took place in which people from 67 countries, including cities, danced Rueda de Casino simultaneously.

The differences between the Miami-style Rueda de Casino and the Cuban-style Rueda de Casino are stark, and these differences can be seen throughout the performances of the groups that participated in Many moves have hand signs to complement the calls; these are useful in noisy venues, where spoken calls might not be easily heard.

Most moves involve the swapping of partners, where the partners move around the circle to the next partner. The combination of elaborate dance combinations and constant movement of partners create a visually spectacular effect.

The names of the moves are mostly in Spanish, some in English or Spanglish ; e. Some names are known in slightly different versions, easily recognizable by Spanish-speaking dancers, but may be confusing to the rest.

Although the names of most calls are presently the same across the board, the different towns in Cuba use their own calls.

This is because the pioneers of Rueda de Casino wanted to keep others from participating in their Rueda. Many local variations of the calls can now be found.

Zusätzliche Bedingungen können gelten. Einzelheiten sind in den Nutzungsbedingungen beschrieben. Die Dame folgt entsprechend.

Der Salsero nimmt mit seiner rechten Hand die rechte der Partnerin hoch und führt sie mit einer Drehung im Uhrzeigersinn wie beim Sombrero auf seine rechte Seite und legt die rechten Hände auf ihrer rechten Schulter ab.

Jetzt fasst er vorne mit seiner linken Hand ihre linke Hand und führt in den nächsten beiden Takten mit der linken Hand über seinem Kopf seine Partnerin gegen den Uhrzeigersinn hinter seinen Rücken wie bei Matanzas.

Die rechten Hand bleibt jetzt unten während die Salsera mit der linken Hand wieder nach vorne und in ein Dile que no geführt wird. Jetzt sollte man sich wieder gegenüber stehen wie in der Ausgangsposition, die rechten Hände zwischen den Partnern, den linken Arm hinter dem Rücken des Herrn.

Bei 7 folgt ein Alarde den linken Arm hinter den Kopf der Dame und wieder zurück. Abgeschlossen wird die Figur mit einem Enchufla ohne die Arme los zulassen und einem Dile que no.

Kommando, in der cadena die Richtung zu wechseln. Beginnt wie sombrero doble , wird jedoch nicht mit dile que no abgeschlossen, sondern die Arme bleiben über Kreuz gehalten und die Dame wird auf die linke Seite geführt.

Nach einer copelia führt der Salsero eine Schwungdrehung mit seinem rechten Arm, in den er sich daraufhin gegen den Uhrzeigersinn selbst eindreht.

Wenn er wieder mit dem Gesicht zu seiner Partnerin gewandt ist, hält er mit seiner rechten Hand, die links hinter seinem Rücken hervorschaut, ihre rechte, dann beugt er sich vor und dreht unter seinem eingedrehten rechten Arm wieder gegen den Uhrzeigersinn durch.

Wenn er wieder zu ihr gewandt steht, führt er mit seinem linken Arm sie in eine copelia , auf die ein dile que no folgt.

Die Drehung unter seinem Arm durch und die Führung der copelia mit seinem linken Arm oben folgen sehr schnell aufeinander, daher der Name. Video im Quicktime QT Format.

In der geschlossenen Position Kommando, um gegen den Uhrzeigersinn - für den Salsero vorwärts - zu trippeln.

Auch ein Kommando, um einen Partnerwechsel gegen den Uhrzeigersinn durchzuführen, z. Der Salseros dreht die Dame auf seine rechte Seite ein, lässt sie dann mit seiner rechten Hand rechts ausdrehen und tanzt mit der Dame auf seiner Linken eine enchufla , nach der er wieder mit seiner ersten Dame tanzt.

Bei babosa doble dreht der Salsero vor der enchufla die Dame auf seiner Rechten noch einmal zu sich ein und dann wieder aus.

Bei babosa reply wird nach dem Ausdrehen ein biquini getanzt, dann wechselt der Salsero seine Partnerin von der rechten Seite auf die linke und geht nach einer enchufla zur nächsten.

Fährmann, auf Kuba vor allem auch Bootsflüchtling. Ersteres passt aber besser zur Figur, die war wohl älter als die kubanische Revolution und deren Folgen.

Die Salsera tanzt eine Drehung im Uhrzeigersinn, und wird dann mit beiden Händen im Uhrzeigersinn um den Salsero herumgeführt. Beim langen Grundschritt vom Partner weg legt man sich eine Hand auf den Kopf und macht nicht zwei schnelle Schritten auf der Stelle vom Partner entfernt, sondern dreht sich mit auseinanderstehenden Beinen schnell zum Partner und wieder von ihm ab.

Alle halten ihre beiden Nachbarn an den Händen und wenden sich zu ihrem Nachbarn auf der Linken. Die Salseros drehen mit der linken Hand die Damen gegen den Uhrzeigersinn ein- und wieder aus.

Dabei kann auch noch mit arriba vorwärts gegangen werden, wodurch sich die ganze Runde im Uhrzeigersinn dreht.

Nach einer einleitenden Drehung der Dame unter dem linken Arm des Herrn mit ihrem rechten im Uhrzeigersinn legt er seine rechte Hand auf ihre Schulter.

Wenn ihr Arm herunterkommt, greift er verschränkt hinein, und gibt Schwung, so dass sich beide drehen. Bei bomba anaconda dreht er sich nicht, und geht nach ihrer Drehung nach vorn, während er ihren Arm um seinen Hals legt und sie im Uhrzeigersinn hinter sich um ihn herum führt.

Figur, bei der sich der Salsero unter seinem eigenen Arm durchdreht. Gibt es in verschiedenen Variationen, die durchnummeriert sind. Dann dreht er sich rechts zurück in seinen rechten Arm ein, "taucht" unter ihm durch ohne zu drehen und legt seinen rechten Arm hinter ihrem Kopf ab, bevor die Figur mit einem dile que no beendet wird.

Für den Taucher 2 greift bei der enchufla der Salsero mit seiner linken Hand die linke seiner Partnerin und dreht sich rechts zurück unter ihr durch.

Es folgen drei Schritte vorwärts, dann wird die Dame hinter dem Rücken erst auf die rechte, dann wieder auf die linke Seite geführt, bevor er "auftaucht".

Nach einem Enchufla geht der Salsero mit einem Salsa Grundschritt in der Mitte an seiner Salsera vorbei nach rechts und fasst mit seiner freien rechten Hand die freie linke Hand der nächsten Salsera.

Die eigene Partnerin wird dabei nicht losgelassen. Jetzt folgt auf 1,2,3 ein Enchufla für die Salsera, dabei ist es wichtig, sich auf die Führung der eigenen Partnerin zu konzentrieren.

Auf 5,6,7 tanzt der Salsero selbst ein Enchufla und dreht gleichzeitig seine Partnerin wieder aus. Eindrehen und ausdrehen wird wiederholt bis der Cantante Se fue ansagt.

Dann folgt ein einfacher Enchufla für die Dame und ein Dile que no. Beginnt wie setenta , d. Mit dem linken Arm dreht er sie im Uhrzeigersinn, sie geht hinter ihm vorbei, und es folgt ein dile que no.

Der Salsero tanzt beginnend mit dem Grundschritt weg von der Dame eine Drehung im Uhrzeigersinn, bei der er hinter seinem Rücken die Hand zwei mal wechselt.

Er hebt ihre Hand über seinen Kopf und legt sie in seinem Nacken ab. Sie hat die Chance zärtlich zu sein.